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  • "A Shepherd and His Flock" 19th Century British School
    "A Shepherd and His Flock" 
    19th Century British School 
    Oil On Canvas 

    H:24" W: 36"
    #painting #art #oiloncanvas #19thcentury 
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  • "The Old Mill" American Painter
    The Old Mill 
    American Painter - Joseph Lauber 

    Height: 19" 
    Width: 22 1/2" 
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  • 18th C. Dutch Painting Of a hunting Scene
    18th C. Dutch Painting Of a hunting Scene 
    Oil on board signed 
    Jan H. Dasveldt 

    Amesterdam Museum 

    Height: 21" 
    Width: 27" 

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  • 19th C. French Painting by Auguste Philippe
    Early 19th Century French Painting Of A Farm Scene 
    signed and dated : Auguste Philippe 1825 
    oil on canvas 

    Height : 41" 
    Width: 51" 

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  • 19th C. Landscape Painting By Godchaux
    19th C. Landscape Painting By Godchaux
    French School 
    oil on canvas 

  • 19th C. Orientalist Painting Pastel Arab and Camel, desert landscape fauna Flora
    Height 27 1/2"  Width 35 1/2" and Depth 2" 

    19th C. Orientalist Painting Pastel Arab and Camel, desert landscape fauna Flora . Beautiful and fine 19th century orientalist Pastel painting of an Arab Man with his camel traveling in the desert looking into the pink glow of the sun. In gilt frame. which depicts a group of people in the distance around their tents , resting across a desert landscape with what must be the Badiya is a region of desert or semi-desert and steppe of the Middle East, including parts of southern Syria, eastern Jordan, northern Saudi Arabia, and western Iraq. People of the region would be wrapped in light-colored clothing to protect against the harsh desert weather conditions as depicted in this painting.

    The Artist has masterfully painted this picture with the natural landscape with Desert Flowers calligonum comosum that Helps Stabilize Sand Dunes. Amongst some other plants that can survive the harsh temperature of the area, with some Date trees that are full of fruits . Signs of Age as seen in the pictures, you are welcome to see it in person or send your expert.

    A dynamic sense of movement that helps to create the illusion of spatial depth. The desert landscape, as a result, appears vast and magnificent. ‘Crossing the Desert’ is also a technical masterpiece. The landscape and figures within it are naturalistically portrayed, with every detail carefully rendered. This beautiful orientalist painting will elevate your interior design with a splash of color. the perfect magic touch to a library, a bedroom wall, living dining room. To decorate the wall on top of a console or credenza. On top of a fireplace mantel (fireplace) and entry way etc. 'Orientalism' refers to the representation of the East in Western art which often blurred the line between fantasy and reality. The Orientalist art movement reached its height during the 19th century and is perhaps best known today for its production of impressive oil paintings and works on paper. These paintings were popular in the 19th century, as Europeans and North Americans increasingly turned their attentions to cultures overseas. The works were mostly by male Western artists, made to satisfy an enormous public interest in the lands of the Middle East and North Africa.

    Many artists travelled to the places they depicted, whether Constantinople, Jerusalem, Cairo or Marrakesh. Others travelled no further than Paris or Vienna, using a mixture of photographs, props and imagination for inspiration. Recurring images included everything from detailed sketches of everyday life to highly imaginative scenes of the harem. Interest in Orientalism developed in tandem with European colonial activity, which allowed soldiers, traders and artists greater access to the places and peoples of these regions. An important function of Orientalist painting was to create a visual record of places of interest. Such images were aimed at a growing market of Europeans and North Americans who either visited the Middle East and North Africa or were interested in the regions from afar. Travel was made easier by steamships and trains, so paintings tended to focus on cities, such as Constantinople, Cairo and Marrakesh, the arrival points for artists and their potential customers alike. Some images depicted sites of religious importance, both Christian and Muslim, while others captured the ancient sites of pre-Islamic history

     

    The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. To sending your expert to create an independent Condition report , by appointment only at la maison francaise antiques.  Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Lamaisonfrancaise, Inc. shall have no responsibility for any error or omission.


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  • 19th C. Winter Landscape By Alois Armegger
    19th C. Winter Landscape 
    By Alois Armegger 
    Oil On Canvas 

    Height: 31" 
    Width: 43" 

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  • 19th Century Orientalist
    19th Century Orientalist 
    Pastel-Original Frame 

    Height: 26" 
    Diameter: 30" 

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  • 19th Century Painting of Shepherds Tending Herd
    19th Century Painting of Shepherds Tending Herd 

    Height: 23" 
    Width: 28" 


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  • 19th Century Romantic Painting
    19th Century Romantic Painting  signed and dated 

    Height: 34" 
    Width: 38" 
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  • 19th Century Swiss Painting
    19th Century Swiss Painting 
    Of A Village In a Mountain Scene 
    Oil On Canvas 

    Height: 19" 
    Width: 24" 

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  • A Country Field-hand and Milkmaid
    A Country Field-hand and Milkmaid 
    French School 18th Century 

    Height: 21" 
    Width: 18" 

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  • A Country Milkmaid and Herdsman
    A country milkmaid and herdsman embracing 
    oil on wood panel 
    by Gerrit Lundens 
    1622-1677 

    A charming Painting by the Dutch Artist 
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  • A Large 19th Century Austrian Painting
    A Large 19th Century Austrian Painting 
    Depicting a Landscape View Of A Village and 
    An Old Water Mill On The River 

    height: 5 Feet 10 "
    Width: 9 Feet 7 " 
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  • A Restful Moment By Jean Baptiste
    A restful moment, signed and dated by Jean Baptiste Von Bies Broeck 

    Height: 24" 
    Width: 33" 
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  • A street Scene Painted by William Anderson
    A street Scene Painted by William Anderson sherwood (orientalist) 
    American School/ Oil on Canvas 

    Height: 35" 
    Width: 35" 
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  • Arbres by Pierre Gaston Rigaud
    "Arbres" By Pierre Gaston Rigaud 1874 - Bordeaux 
    French School 

    Height: 22" 
    Width: 26" 
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  • Barn In Moonlight by Frederick John Mulhaupt
    Barn In Moonlight 
    By Frederick John Mulhaupt 
    Amercian (1871-1938) 

    Height: 20" 
    Width: 24" 
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  • Cattle With Herders 19th Century
    Cattle With Herders 19th Century 
    Dutch School 
    oil on panel 

    Height: 21" 
    Width: 24" 
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  • Circle Of Viviano Codzzi 18th C. Capriccio
    Circle Of Viviano Codzzi 18th C. 
    Figures around Architectural Capriccio 

    Height: 60" 
    Width: 48" 

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  • Continental School 18th C. Capriccio
    Continental School 18th Century 
    Figures Around Architectural Capriccio 
    By the Harbor 

    Height: 30" 
    Width: 35" 
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  • Cow Watering in a stream
    Cow Watering in a stream 
    Oil on canvas 

    Height: 24" 
    Width: 29" 

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  • Cows Resting Beside A Wind Mill
    Cows Resting Beside A Wind Mill 
    By Charles Bassing 

    Height: 21" 
    Width: 25" 


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  • Hay Gatherer at Rest in the Field by Francois Alfred Delobbe 1881 Oil on Canvas

    Dimensions: Height: 46 in (116.84 cm)Width: 58.5 in (148.59 cm)Depth: 2.5 in (6.35 cmHay Gatherer at Rest in the Field by Francois Alfred Delobbe 1881 Oil on Canvas

     SOLD

    A beautiful large and important masterpiece by Francois Alfred Delobbe.

    A similar artwork old master was sold April 18 2008 at Sotheby's for $181,000.00 + 20%

    Delobbe's two most powerful inspirations were his deep connection to the French countryside and William Bouguereau, his teacher at the École des Beaux-Arts. Born in Paris and absorbed in his studies for so many years, the young artist had few opportunities to escape the city. It was not until Delobbe journeyed to Concarneau, the native home of his friend and fellow artist Alfred Guillou, that he began to explore Brittany's rocky fields and ancient villages. While the region was painted by many of Delobbe's contemporaries, most famously Jules Breton, Delobbe's Parisian upbringing perhaps made him particularly sensitive to the effects of the open skies, verdant fields, and sweeping, sandy beaches. Most of his traveling took place in spring and summer, and he used the plein air sketches completed then during the winter in his City Studio. Many of his favorite models came from the areas around Beuzec-cap-Sizun and Lanriec,

    As with his mentor's canvases, Delobbe's smooth brushwork erases the presence of the painter and creates a balance between immobile, static form and rich surface details, textures, and colors. Visual evidence that a rustic, rural way of life remained, such portraits eased late nineteenth century anxieties about France's growing industrialization. There is a naturalistic truth to Delobbe's representation of the Characters, the skin slightly reddened by rough winds and harsh sun, taking a break on a pile of Hay by her infant and older daughter. Almost effortlessly, from her tool to the back right side, while on her lap rests a large sifting tool. While this process was notoriously labor-intensive, Delobbe's working woman reveals little of the effort involved. With her stoic stance and calm expression the artist creates an epic figure to join the ranks of Breton's strong-armed field hand in or the maid busy haying in Julien Dupré's The Harvester (figs 2, 3). In her solemnity, Delobbe's sifter becomes an icon of rural labor, her powerful strength and work never ceasing, her connection to the land monumental, yet sensitively portrayed.

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  • High time the California Desert Wall Art Oil on Canvas Decorative object framed

    Height: 20.25 Inches Width 24.5 Inches and thickness 1.5 Inches High time the California Desert Wall Art Oil on Canvas Decorative object framed . A Nicely painted Artwork oil on Canvas of the high time in the California Desert. Framed and colorful.

    At first look, desert habitats might appear harsh and desolate with lack of rain and high temperatures . On the contrary, Cactus plants store water and are home to different desert animals.

    The desert landscape is wildly varied – shimmering white sand dunes, natural rock arches, craters from volcanic eruptions, canyons with layers of red, green, pink, yellow rocks, mountainous rock formations two billion years old. Desert oases are filled with lush greenery.

    In spring, after winter rains, the deserts bloom with colorful wildflowers such as depicted in this beautiful work. February to April is the ideal time when wild flowers are in bloom – red ocotillos, orange poppies, purple lavender, lupine, heliotrope and sand verbena.

    it's a stunning piece to add to your special collection, add a touch of color and charm to your home. very decorative and versatile, it can go in a bedroom a  living room , office , entry . or simply mounted on top of your fireplace as a focal point. The frame is beautiful with some cracks and losses as seen in the pictures, overall good condition. Antique Dealer West Hollywood CA Melrose Ave La Cienega Blvd. This painting is timeless and helps you dream and relax. it can be in a traditional décor as well as a farm, a winery , a modern house , midcentury.

    A great gift idea for a house warming, or to add to your collection of unique beautiful happy Artwork.

    Height: 20.25 Inches Width 24.5 Inches and thickness 1.5 Inches 

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  • Houses In Winter By Frank Moser
    Houses In Winter 
    By Frank Moser (1886-1964) 
    American School 

    Height: 23" 
    Width: 27" 

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  • Hyde Park Corner London
    Hyde Park Corner - London 
    Rowling in the Style Of James Pollard 
    oil on canvas / signed lower right 

    Height: 35" 
    Width: 47" 

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  • Labor 19th Century Print By Radclyffe, After Absolon
    Labor 19th Century Print By Radclyffe, 
    After Absolon

    Height: 23"
    Width: 31" 
  • Large 18th C. Bucolic Painting Garden Nature Scene Landscape Dog Flowers Antique

    Height: 64.5 in (163.83 cm)Width: 55 in (139.7 cm)Depth: 2 in (5.08 cm) Large 18th C. Bucolic Painting Garden Nature Scene Landscape Dog Flowers Antique . A Beautiful Hand painted bucolic " Bucolique " painting in the spirit of Jean-Honoré Fragonard  , depicting a beautiful Garden Scene With a large pallet of colors from blue to pink , red and green.

    Distinguished by remarkable facility, exuberance, and hedonism where pleasure plays a central role Psychological or motivational hedonism claims that human behavior is determined by desires to increase pleasure and to decrease pain .  Romantic, inspiring , uplifting tableau of a beautiful dog sitting by a Summer compagne hat ornate with flowers and ribbon calling for the spring season , at the base of a carved stone pedestal with an Urn mounted and decorated with an ocean of flowers. The perfect romantic touch of the love for animals throughout history . Original Hand carved wood Gilt frame.

    To mount in a drawing room , Library , bedroom , entryway on top of a console or chest of drawers. Very decorative and colorful. It will be a fantastic touch on top of a mantle fireplace surround instead of the trumeau .  Art Gallery Antique Dealer Los angeles , west Hollywood Melrose Ave La Cienega Blvd. A gift idea for a house warming for someone special . As seen in the pictures , some work was done over the centuries frame canvas. Cracks losses etc . adding even more charm to this painting. 


    #painting #paintings #store #gallery #melrose #antiques #LA 
    #weho #decor #design #antique #lmfantiques #interiordesign 
    #oldmaster #carlspielter #collector #beverlyhills 
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  • Late 19th Century Hay Gatherer Landscape Painting
    Late 19th Century Hay Gatherer Landscape Painting 
    Oil on Canvas 
    Signed: Vallan 
    Restoration

    Height: 21" 
    Width: 25 1/2" 

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  • Meeting Of The Shepherds By Knud Sinding
    Meeting of the Shepherd , signed with monogram 
    oil on canvas , 19th Century , by knud sinding 
    benezit listing 
    Danish Painter 

    Height: 27" 
    Width: 33" 

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  • Orientalist Painting Wall Art Arab Market Scene Dutch G. Huijsser Antique Frame
    Height: 12"   Width: 17" 
    Very nice oil on cardboard by Gerard Huijsser, Dutch painter, depicting a gathering of people in a orientalist maket Scene. Gerard Huijsser Dutch, 1892-1970. Similar artwork Gerard HUIJSSER - La mosquée Turque sold for $4911 +25% = $6138.00
    His work consisted mainly of paintings in oil and watercolor and drawings, which mostly landscapes and still lifes, but also figures in expressionist style.
    He also produced book and journalistic illustrations and designs for stained glass. In 1921 he received the Cohen Gosschalk Prize. Huijsser traveled extensively to Turkey and North Africa tunisia Tunis Sid Boussaid.
    Gerardus Hendricus Josephus Alphonsus Huijsser received his training at the School of Applied Arts in Amsterdam Quellinus where he attended the courses of the painter Klaas van Leeuwen. Later, he took the Visual Arts course at the Rijksacadmie and then the Van AJ Derkinderen classes. He made oil paintings, watercolors of landscapes, still lifes ... Then he traveled across Turkey and Africa and painted in an expressionist style. He exhibited at the Institute of Carthage and Tunis. His works can be found at the Singer Museum in Laren, the Maastricht Museum and the Rijksmuseum in Amsterdam.
    Gerardus Hendricus Josephus Alphonsus Huijsser reçut sa formation à l’Ecole d’Arts Appliqués d’Amsterdam Quellinus où il suivit les cours du peintre Klaas van Leeuwen. Plus tard, il suivit les cours d’Arts Visuels de la Rijksacadmie, puis les cours de Van A. J. Derkinderen. Il réalise des peintures à l’huile, des aquarelles de paysages, natures mortes … Puis il parcourut la Turquie et l’Afrique et peignit dans un style expressionniste. Il exposa à l’institut de Carthage et à Tunis. Ses oeuvres se trouvent au Singer Museum à Laren, au Musée de Maastricht et au Rijksmuseum d’Amsterdam.
    The formation of the French Orientalist Painters Society changed the consciousness of practitioners towards the end of the 19th century, since artists could now see themselves as part of a distinct art movement.[9] As an art movement, Orientalist painting is generally treated as one of the many branches of 19th-century academic art; however, many different styles of Orientalist art were in evidence. Art historians tend to identify two broad types of Orientalist artist: the realists who carefully painted what they observed and those who imagined Orientalist scenes without ever leaving the studio.[10] French painters such as Eugène Delacroix (1798–1863) and Jean-Léon Gérôme (1824–1904) are widely regarded as the leading luminaries of the Orientalist movement.


  • Pair of 18th Century Very Large Oil on Canvas Panels framed Wall mount Art LA CA

    Dimensions: Height: 98 in (248.92 cm)Width: 106 in (269.24 cm)Depth: 2 in (5.08 cm)

    Pair of 18th Century Very Large Oil on Canvas Panels framed Wall mount Art LA CA . Very RARE 18th century very large and impressive pair of French / Continental painted oil on canvas panels , fit for Grand Estates .

    Outstanding Colors and design. Each panel have Two medallions and each representing Putties at play. On one we have the little Angels amorini representing cupids playing in the Clouds the game of Love heart Target with bow and Arrow. Represented with very beautiful figures and incredible face expression, surrounded by a wreath. The 2nd medallion representing A putto Painter by the side of another winged friend , both putti in a work of art depicted as a chubby male children both winged . The Artist of the two is represented with an older face expression, possibly the painter depicting himself in it.

    On the 2nd panel, the 1st medallion representing the little winged angels At work in the fields, representing nature, hard work, and a clear representation that we reap what we sow, and in this case, they are reaping the rewards of the hard work. The 2nd medallion on that panel with Two Amorini one at sleep and protected by the other Amorini bearer of light. Floating in the skies above the clouds.

    Celebrations Garland all throughout with flowers , bows, nature, leaves , pedestals and urns ornate with the generosity of nature, overflowing with the wealth and blessings. Imposing Huge panels that will Elevate your interior design. Continental panels that can go in a living or dining room, grand entrance hallways , a library , a high end office.

    Antique dealer Los Angeles CA West Hollywood Melrose Ave La Cienega blvd. , interior design element , high end decor . Very Large Scale art with a beautiful Hand made Frame .

    Dimensions: Height: 98 in (248.92 cm)Width: 106 in (269.24 cm)Depth: 2 in (5.08 cm)

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  • Rare Russian Icon
    Rare Russian Icon In Two Parts 
    The Birth Of Christ / The Baptism Of Christ 

    Height: 15" 
    Width: 36" 

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  • The Barley Fields By John Linnell
    Height: 38" Width: 49" Old Master John Linnell Landscape Collector Painting Oil on Canvas Museum Art. “The Barley Field” By John Linnell 1874 / Oil on Canvas / 1792-1882 / English . SIGNED and DATED at the bottom of Canvas as well as the stunning Carved wood Gilt Frame . Under the blue light doesn’t show any signs of repairs. In one word, STUNNING.

    Museums Include:

    Victoria and Albert Museum : Rocky Promontory / The Harvest Moon / Landscape, Evening /  A Coming Storm Glasgow Museums Resource Centre (GMRC) /  Landscape, Driving Cattle.

    Museum of London : Collins's Farm, North End, Hampstead, London

    At Yale Center for British Art : John Linnell, 1792–1882, A Finished Study for 'Reaping', 1858

    New York Metropolitan  and National Portrait Gallery.

    Comparable art work sold at Auctions: 

    1-      John Linnell (1792-1882)  49 x 73 in.  The Return of Ulysses London 19 February 2003 Price realized  GBP 171,650 + 25% Fee   TOTAL $302,000

     

    2-      SMALL Art WORK John Linnell (1792-1882)  SMALL  11 x 13 7/8 in.    The potato field - Isle of Wight Price realized GBP 50,000   Sold July 2017

     

     

    3-      John Linnell (London 1792-1882)  39½ x 54¼ in Reapers at Noon June 2009 Price realized USD 206,500+ 25%  TOTAL $258,000 Dollars

    John Linnell was an English engraver, and portrait and landscape painter. He was a naturalist and a rival to the artist John Constable. He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer. He also associated with Edward Thomas Daniell, and with William Blake, to whom he introduced the painter and writer Samuel Palmer and others of the Ancients.

    John Linnell was born in Bloomsbury, London on 16 June 1792., where his father was a carver and gilder. He was in contact with artists from an early age, and by the age of ten was drawing and selling portraits in chalk and pencil. His first art teacher was the American-born artist Benjamin West, and he spent a year in the house of the painter John Varley, where William Hunt and William Mulready were also pupils, and made the acquaintance of Shelley, Godwin and others. In 1805 he was admitted to study at the Royal Academy, where he obtained medals for drawing, modelling and sculpture. He was trained as an engraver, and executed a transcript of Varley's "Burial of Saul."

    In 1808, the 16-year-old Linnell moved into the house of the painter William Mulready, whose wife had accused him of infidelity with both other women and boys. Linnell's association with Mulready may have caused the breakup of Mulready's marriage.

    In later life Linnell occupied himself with the burin, publishing, in 1833, a series of outlines from Michelangelo's frescoes in the Sistine Chapel, and, in 1840, superintending the issue of a selection of plates from the pictures in Buckingham Palace, one of them, a Titian landscape, which he engraved in mezzotint. At first he supported himself mainly by miniature painting and execution of larger portraits, such as the likenesses of Mulready, Richard Whately, Peel and Thomas Carlyle. Several of his portraits he engraved in line and mezzotint.

    He painted many subjects like the "St John Preaching," the "Covenant of Abraham," and the "Journey to Emmaus," in which, while the landscape is usually prominent the figures are of sufficient importance to supply the title of the work. But it is mainly in connexion with paintings of pure landscapes that his name is known. His works commonly deal with some scene of typical uneventful English landscape, which is made impressive by a gorgeous effect of sunrise or sunset. They are full of true poetic feeling, and are rich and glowing in colour.

    Linnell commanded large prices for his pictures, and about 1850 he purchased a property at Redhill, Surrey, where he lived till his death on 20 January 1882, painting with unabated powers until within the last few years of his life. He devoted himself to painting landscapes notably of the North Downs and Kentish Weald. His leisure was occupied with a study of the Bible in the original, and he published several pamphlets and treatises of Biblical criticism. Linnell was one of the best friends and kindest patrons of William Blake. He gave him the two largest commissions he received for single series of designs—£150 for drawings and engravings of The Inventions to the Book of Job, and a like sum for those illustrative of Dante Aligheri.

    He was a friend of the painter Edward Thomas Daniell. A blue plaque commemorates Linnell at Old Wyldes' at North End, Hampstead. The plaque mentions that William Blake stayed with Linnell as his guest.

    Subject Terms in this art work: agriculture | animal | clouds | corn | cutting | dog (animal) | farm | farming | farmland | fields | gathering | harvest | hay | labor | laborers | landscape | men | reapers | rural | study (visual work) | summer | woman | work

    it's a stunning piece to add to your special collection, add a touch of color and charm to your home. very decorative and versatile, it can go in a bedroom a  living room , office , entry . or simply mounted on top of your fireplace as a focal point. The frame is beautiful with some cracks and losses as seen in the pictures, overall good condition. Antique Dealer West Hollywood CA Melrose Ave La Cienega Blvd. This painting is timeless and helps you dream and relax. it can be in a traditional décor as well as a farm, a winery , a modern house , midcentury.

    A great gift idea for a house warming, it’s a Rare collector’s painting to add to your special collection of unique beautiful happy Artwork. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. To sending your expert to create an independent Condition report , by appointment only at la maison francaise antiques.  Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Lamaisonfrancaise, Inc. shall have no responsibility for any error or omission. We have many additional pictures of the back and under the blue light. No apparent flaking  or losses but as you can see the cracks which is normal after 150 years. You are welcome to send your experts. 

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  • Twin Rocks 1873 French School
    Twin Rocks 
    By Emmanuel Lansyer 1873 
    French School 

    26" X 32" 
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  • View Of The Valley By Frank Moser
    View Of The Valley 
    By Frank Moser  1886-1964 
    American School 

    Height: 23" 
    Width: 27" 
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  • Villagers tending to travelers 18th Century
    Portrait Of Villagers Tending To Travelers 
    on a Riverbank 
    Late 18th Century 
    French School 

    Height: 17" 
    Width: 24" 

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  • Winter Scene By Christian Alexander Schmidt
    Winter Scene 
    Signed Oil on Canvas 19th Century 

    By Christian Alexander Scmidt 

    Height: 13" 
    Width: 17" 


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  • Winter Scene Of A Country Road By Harald Pryn
    Winter Scene Of A Country Road 
    By Harald Pryn 
    Oil On Canvas 19th Century 

    Height: 37" 
    Width: 48" 
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  • Winter Scene On A Country Road By Hans Egersnap
    Winter Scene On A Country Road
     By Hans Egersnap 
    19th Century 
    Oil On canvas 

    Height: 43" 
    Width: 59" 



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Categories

 

 

"A Shepherd and His Flock" 19th Century Briti
"The Old Mill" American Painter
18th C. Dutch Painting Of a hunting Scene
19th C. French Painting by Auguste Philippe
19th C. Landscape Painting By Godchaux
Orientalist Art
19th C. Winter Landscape By Alois Armegger
19th Century Orientalist
19th Century Painting of Shepherds Tending He
19th Century Romantic Painting
19th Century Swiss Painting
A Country Field-hand and Milkmaid
A Country Milkmaid and Herdsman
A Large 19th Century Austrian Painting
A Restful Moment By Jean Baptiste
A street Scene Painted by William Anderson
Arbres by Pierre Gaston Rigaud
Barn In Moonlight by Frederick John Mulhaupt
Cattle With Herders 19th Century
Circle Of Viviano Codzzi 18th C. Capriccio
Continental School 18th C. Capriccio
Cow Watering in a stream
Cows Resting Beside A Wind Mill
Old Master Hay Gatherer , 1881 , Delobbe
California Desert Landscape Painting
Houses In Winter By Frank Moser
Hyde Park Corner London
Labor 19th Century Print By Radclyffe, After
Bucolic Style of Jean-Honoré Fragonard
Late 19th Century Hay Gatherer Landscape Pain
Meeting Of The Shepherds By Knud Sinding
Orientalist Painting Dutch Arab Market Scene
Huge Pair Panels 18th C. Landscape
Rare Russian Icon
OLD MASTER By The Great John Linnell
Twin Rocks 1873 French School
View Of The Valley By Frank Moser
Villagers tending to travelers 18th Century
Winter Scene By Christian Alexander Schmidt
Winter Scene Of A Country Road By Harald Pryn
Winter Scene On A Country Road By Hans Egersn
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